![]() In other words, when health and artistic endeavors failed Heron, another talent was born via her child. The instruction and guidance of her virtuosic and beloved mother undeniably allowed Bijou to become a performing child. ![]() 9 Her daughter Bijou was irrefutably her favourite student. During this period of time, Heron found a job teaching aspiring young actresses the theatrical skill of clear and expressive speech, especially of distinct pronunciation and articulation. In 1874, Heron retired from the stage for two years and found solace in New York. Heron received momentous praise for her portrayal of Camille in not only the United States of America, but the United Kingdom as well. Then again, Heron was the first American actress to play the admired role of Camille in what Bijou called “mamma’s play” 7 at the Park Theatre. 6 Bijou’s mother, on the other hand, was able to obtain profitable ties on both sides of the Atlantic. Stoepel found the security he needed at Wallack’s Theatre and Augustin Daly’s Fifth Avenue Theatre in New York City. ![]() 5 This was, of course, an upsetting event, which Heron ensured that her daughter would never forget. ![]() 3 Before Heron and Stoepel’s divorce in 1869, 4 Stoepel was said to have “squandered” his wife’s monetary compensation and abandoned Bijou in the face of financial distress. Bijou Heron (1863-1937), baptized Helena 1 (Helen) Wallace Stoepel, 2 was born in New York City to actress Matilda Agnes Heron and orchestral conductor Robert August Stoepel. ![]()
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